Design a Blueprint Website Landing Page in Lopsy

Mock up a gliding school's landing page as a blueprint, with a Pen-drawn sailplane plan view, a lift diagram, course cards and a retouched cyanotype photo.

  • Advanced
  • 180 min
  • 34 steps

Published

The finished Greyfield Soaring School landing page in blueprint style. A dark browser bar shows greyfieldsoaring.co.uk above a nav with a glider logo in a ring, the GREYFIELD wordmark, four links and an orange Book a flight pill. On the left of the hero, an orange eyebrow reads 01 — AB INITIO TRAINING over the headline Learn to fly without an engine., a line of copy, an orange Book a trial flight button and an outlined See courses button. On the right, a white plan-view drawing of a long-winged sailplane is tipped a few degrees, with a dotted centreline, a 15.00 m span dimension and a handwritten your seat note pointing at the canopy. Below it, a ridge line with faint hatching rises to the right, white wind arrows climb the slope beside a ridge lift note, and dotted rings mark a thermal labelled thermal, +3 m/s. A dark band lists 1:38 best glide ratio, 2,400 launches a year, 62 yrs of soaring and 4,200 ft average cloudbase. Three courses sit in dark rounded cards with line icons: Trial Lesson £95, Learn to Solo £1,450 and Cross-Country £680. At the bottom, a deep-blue cyanotype photograph of a white glider with brushed edges sits in a white frame with corner mounts, beside the heading Good soaring today., a wind rose with an orange arrow from the east, and readouts for wind, cloudbase, thermals and launching hours. A drafting title block footer lists project, location, drawn, scale, date and sheet

Blueprints suit anything that flies. A gliding club's whole pitch is "this is safe, and it's beautifully engineered", and a drafting sheet says both at once. In this tutorial you'll mock up a desktop landing page for Greyfield Soaring School, an invented gliding club on the English downs. It's set out like a blueprint: a Prussian-blue ground with a fine grid, white technical linework, pencil notes, and one safety orange kept for the things people should click.

The hero is a plan view of a sailplane (looking straight down on it), drawn with the Pen tool and tipped a few degrees as if it's turning in a thermal. Under it, a small cross-section shows the two ways a glider stays up: air pushed up a hillside (ridge lift) and rising bubbles of warm air (thermals). Further down, there are course cards and a stats band. A real photograph of a glider is retouched and turned into a cyanotype print, next to a wind rose and today's flying conditions. A drafting title block closes the page.

The page is 1440 px wide, the usual desktop design width, and 2040 px tall.

Along the way you'll use:

  • the Gradient tool, Add Noise, ruler guides, Define Pattern and Fill with Pattern
  • the Shape tool's click-to-size dialog for buttons, cards and rings
  • the Pen tool: closed and open paths, Enter to stroke, and the Paths panel's Path to Selection
  • the Magic Wand with Shift to add, Grow, and the Pencil and Brush with Shift-click lines
  • New Group, rotating a whole group with the Move tool, arrow-key nudges, and Undo/Redo
  • Show Grid with snapping, Copy, Paste, Move drags and Merge Down
  • dropping in a photo, scaling it with Cmd held, the Clone Stamp and Healing Brush
  • Desaturate and a Gradient Map adjustment on a group, Select → Inverse
  • layer masks painted with the Chalk brush and filled with a gradient
  • the Drop Shadow effect
  • text in Space Grotesk, IBM Plex Mono and Reenie Beanie, including right-aligned multi-line text

The palette:

  • Blueprint ground
  • panels
  • Line white
  • cyan
  • grid
  • rules
  • Safety orange
    buttons and prices
  • label orange
  • Pencil notes
  • wind-rose star
  • footer grey
  • Cyanotype
  • Shadow
  • grain grey

Positions are given in document pixels, written as x, y, wherever things need to line up. Watch X and Y in the status bar as you move the pointer. To land on an exact spot, zoom in with Cmd+=, or click with the Shape tool and type the size. Freehand parts only need to be close.

One habit saves a lot of grief with text: before you start a new piece of text, click a non-text layer in the group you're working in (the steps say which). If the last text layer is still active, changing the font, size or colour restyles that layer instead of setting up the new one.

Lopsy names each text layer after its text. I renamed layers as I went (double-click a name), so the screenshots show names like Headline and Card 01 Title. Yours can keep the default names.

  1. Set up the page and guides

    1. Choose File → New, set Width 1440, Height 2040, Pixels, and click Create.
    2. Click the top ruler at x 96, 720 and 1344 to drop three vertical guides. The outer two are the page margins and the middle one is the centre.
    3. Click the left ruler at y 48 (the bottom of the browser bar), y 120 (the bottom of the nav) and y 880 (the bottom of the hero).
    A new 1440 by 2040 document with three vertical and three horizontal blue guides
  2. Fill the blueprint ground

    1. Click Background in the Layers panel and pick the Gradient tool. Leave Type on Linear.
    2. Click Advanced… to open the Gradient Editor. Click the left stop and type into the Hex color field. Click the right stop and make it . Click Done.
    3. Drag from the top of the page straight down to the bottom. The page darkens slightly as you scroll, which makes the top feel lit.
    The page filled with a deep blue gradient, slightly lighter at the top
  3. Add paper grain

    1. Double-click Layer 1 and rename it Grain. Choose Select → All, set the foreground to and choose Edit → Fill. Press Cmd+D.
    2. Choose Filter → Add Noise… with Amount 22 and click Mono and Gaussian. Click Apply.
    3. Click the ✦ button on the layer's row to open the effects drawer and set the blend mode to Overlay. Close the drawer, click the opacity on the row and set it to 60%. Grey vanishes in Overlay, so only the speckle shows.
    The blue ground with a faint speckle of grain
  4. Make the drafting grid

    The grid comes from two pattern tiles drawn in the top-left corner, because pattern fills start from the document's top-left corner.

    1. Click Add Layer and name it Tile. Set the foreground to .
    2. With the Rectangular Marquee, select a 40 × 40 square in the very top-left corner. Zoom in so the corner fills the window first.
    3. Pick the Pencil at Size 1. Click just left of the canvas on the top edge and Shift-click past the square on the same edge, then do the same down the left edge. The selection keeps both lines inside the tile.
    4. Choose Edit → Define Pattern. Press Cmd+A, then Delete.
    5. Repeat with a 200 × 200 square and the Pencil at Size 2, and choose Define Pattern again. Then delete the Tile layer with the trash button.
    6. Add a layer called Grid Minor. Choose Edit → Fill with Pattern…, pick the 40 px pattern and click Apply. Set the layer to 10%.
    7. Add a layer called Grid Major, fill it with the 200 px pattern the same way, and set it to 16%.
    The page with a fine grid every 40 px and heavier lines every 200 px
  5. Draw the browser bar

    Framing the page in a browser bar makes it read as a website straight away.

    1. With Grid Major selected, click New Group at the bottom of the Layers panel and rename it Browser. Click Add Layer (the layer goes inside the group) and name it Chrome Bar.
    2. Marquee from the top-left corner across to the right edge, down to the y 48 guide. Fill it with and deselect.
    3. Pick the Shape tool and set Shape to Ellipse. Click the Fill swatch and type in its Hex field. If there's a stroke swatch, open it and click Remove stroke.
    4. Click once at x 28, y 24 without dragging. The Shape Size dialog opens. Enter 14 × 14 and click Create. The shape is centred on the point you clicked, so every Shape position in this tutorial is a centre. Make two more dots at x 52 in and at x 76 in .
    5. Switch Shape to Rectangle, set Corner Radius to 14 and the fill to . Click at x 720, y 24 and create a 560 × 28 rectangle. That's the address field.
    6. Pick the Text tool. Set IBM Plex Mono, Regular, size 14, colour , click in an empty spot and type greyfieldsoaring.co.uk. Press Tab to finish. With the Move tool, drag it into the middle of the address field.
    7. Click the arrow on the Browser group's row to collapse it.
    A dark bar across the top with three coloured dots and a long rounded address field
  6. Build the navigation bar

    1. Click Grid Major and add a group called Nav. Inside it, add a layer called Nav Rule.
    2. Set the colour to and pick the Pencil at Size 1. Click at the left edge on the y 120 guide and Shift-click at the right edge. That's the hairline under the nav.
    3. Add a layer called Nav Button. With the Shape tool on Rectangle, Corner Radius 20 and fill , click at x 1264, y 84 and make it 160 × 40.
    4. Add a layer called Logo Ring. Switch to Ellipse, click Remove fill in the fill popover, and give it a stroke with Width 2. Click at x 120, y 84 and make it 48 × 48. The logo goes inside later.
    5. Click Logo Ring so new text lands in this group without restyling anything. With the Text tool, set Space Grotesk, Bold, size 24, colour , and type GREYFIELD. In the Text panel set Letter spacing to 3. Move it so it starts at x 160 with its top at y 67.
    6. Click Logo Ring again. Type SOARING SCHOOL in IBM Plex Mono, Medium, size 11, colour , letter spacing 4, and put it under the wordmark at x 161, y 93.
    7. Click Logo Ring. Type COURSES FLEET CONDITIONS VISIT (five spaces between the words) in IBM Plex Mono Medium 13, , letter spacing 1. Move it so it ends at x 1150 and is centred on y 84.
    8. Click Nav Button. Type BOOK A FLIGHT in Space Grotesk Bold 14, , letter spacing 1, and centre it on the orange pill. Collapse the Nav group.
    The nav: a ring and GREYFIELD wordmark on the left, four links and an orange Book a flight pill on the right
  7. Draw the hero buttons

    1. Click Grid Major, add a group called Hero Copy, and inside it a layer called Buttons.
    2. With the Shape tool on Rectangle, Corner Radius 30, fill and no stroke, click at x 246, y 664 and make it 300 × 60.
    3. Remove the fill, add a stroke at Width 2, and click at x 526, y 664 for a 220 × 60 outlined button.
    An orange pill button and a white outlined pill button below the empty hero area
  8. Set the hero type

    Click Buttons before each new piece of text, so the new layer lands in the group and nothing gets restyled.

    1. Eyebrow: 01 — AB INITIO TRAINING in IBM Plex Mono Medium 15, , letter spacing 2. Its top-left goes at x 98, y 200. Ab initio is what gliding clubs call training from scratch.
    2. Headline: type Learn to fly, press Enter, without an, Enter, engine. in Space Grotesk Bold 86, . Set Letter spacing to -1 and Line height to 1.0, so the three lines stack tightly. Line its left edge up with the eyebrow, top at y 240.
    3. Intro: at x 98, three lines, Ridge, wave and thermal soaring over / the Greyfield Downs. Two-seat dual / training from your very first launch., in IBM Plex Mono Regular 17, , Line height 1.6, starting at y 532.
    4. Button labels: BOOK A TRIAL FLIGHT in Space Grotesk Bold 17, , letter spacing 1, centred on the orange button. Then SEE COURSES → in the same style in , centred on the outlined one.
    5. Trust line: BGA-APPROVED CLUB · EST. 1964 · OPEN ALL YEAR in IBM Plex Mono Medium 12, , letter spacing 2, at x 98, y 730. Collapse the group.
    The headline Learn to fly without an engine. with an orange eyebrow, intro copy, button labels and a small trust line
  9. Pen the wings

    The sailplane is drawn nose-up, centred on x 1005, y 450, then rotated later. Zoom to 100% (View → Actual Size, Cmd+1) and scroll so that area fills the window.

    1. Click Grid Major and add a group called Sailplane, with a layer called Outline inside it. Set the colour to .
    2. Pick the Pen tool and set Stroke to 2 in the options bar.
    3. Click these points in order to draw both wings as one shape running straight through where the fuselage will be. Start at the right wing root:
    • Leading edge: 1019, 378 → 1205, 384 → 1357, 392
    • Rounded tip: 1364, 396 → 1366, 403 → 1361, 409 → 1357, 410
    • Trailing edge back in: 1205, 422 → 1019, 438
    • Then the same points mirrored around x 1005 for the left wing: 991, 438 → 805, 422 → 653, 410 → round the tip → 653, 392 → 805, 384 → 991, 378
    1. Click the first point again to close the shape, then press Enter to stroke it. Glider wings taper gently and stay straight. Long and thin is what makes them glide so well.
    Zoomed to 100 percent, a long thin closed wing outline drawn with the Pen tool
  10. Clear a space for the fuselage

    The fuselage sits on top of the wings, so the wing lines inside it have to go.

    1. In the Paths panel, click the wing path so it's no longer highlighted. If a path stays selected, the next Pen click edits it instead of starting a new one.
    2. Draw the fuselage as a smooth closed path. Drag at each point (instead of clicking) to pull out curve handles, always dragging in the direction the outline is heading:
    • The nose at 1005, 245, dragging a little to the right.
    • Down the right side: 1020, 285 dragging down, 1023, 355 dragging down, 1017, 470 dragging down, 1011, 600 dragging down.
    • Click (don't drag) 1010, 631 and 1000, 631 for the square tail end.
    • Back up the left side through 999, 600, 993, 470, 987, 355 and 990, 285, dragging upward each time.
    • Click the nose point to close the path.
    1. In the Paths panel, click Path to Selection. Press Delete to clear the wing lines inside the fuselage and press Cmd+D.
    2. With the Pen still active and the fuselage path still selected, press Enter to stroke it.
    A smooth fuselage path drawn with the Pen over the wing outline, its anchors showing
  11. Add the T-tail

    The tailplane sits on top of the fin, so it gets the same treatment.

    1. Deselect the fuselage path in the Paths panel.
    2. The tailplane is a slim bar about 160 px across with rounded tips, sitting across the end of the fuselage. Starting at the right tip, click 1085, 605, 1089, 609, 1088, 615 and 1083, 617, then go along the trailing edge to 1009, 622. Mirror the same points around x 1005 for the left half (1001, 622, 927, 617, 922, 615, 921, 609, 925, 605), then finish along the leading edge with 1001, 598 and 1009, 598. Close the path on the first point.
    3. Click Path to Selection, press Delete and Cmd+D, then press Enter to stroke the tail.
    The finished outline: wings, a slim fuselage and a small tailplane across the tail
  12. Tint the airframe

    1. In the Paths panel, deselect the tail path. Pick the Magic Wand.
    2. Click inside the right wing. Then Shift-click inside the left wing, the fuselage and the tailplane, adding each area to the selection.
    3. Choose Select → Grow… with 1, so the tint tucks under the outline.
    4. Add a layer called Tint, set the colour to and fill. Press Cmd+D.
    5. Set Tint to 22%. At that strength it can sit above Outline without dulling the white lines.
    Marching ants around the inside of both wings, the fuselage and the tailplane
  13. Draw the canopy and control surfaces

    1. Click Outline. With the Shape tool on Ellipse, no fill and a stroke at Width 1, click at 1005, 300 and make it 18 × 64. That's the canopy.
    2. Pick the Pencil at Size 1, colour . Draw each line with a click and a Shift-click:
    • Ailerons (the hinged flaps near each tip): 1210, 415 to 1352, 405, plus a short end line from 1210, 415 to 1210, 421.
    • Airbrake slot on top of the wing: four Shift-click lines boxing 1101, 395 to 1151, 401.
    • Elevator hinge across the tailplane: 1013, 612 to 1084, 612.
    1. Repeat each one mirrored on the left side.
    The tinted airframe with a canopy oval, aileron lines and airbrake slots
  14. Add centrelines and the span dimension

    1. Add a layer called Centrelines and set the colour to . Pick the Brush, open the Brushes panel from the brush tip in the options bar, pick Hard Round and set Size 3, Spacing 300, Hardness 100. At 300% spacing the dabs separate into dots. Close the panel.
    2. Click at 1005, 200 and Shift-click at 1005, 672 for the fuselage centreline. Then click at 613, 403 and Shift-click at 1397, 403 across the wings. Set the layer to 70%.
    3. Add a layer called Dimensions. With a Size 1 Pencil in , draw extension lines straight down from each wingtip, at x 644 and x 1366, from y 420 to y 694. Then draw the dimension line across at y 680 between them.
    4. Make each arrowhead with the Lasso: drag a small sliver of a triangle pointing at the extension line, fill it with and deselect.
    5. Type 15.00 m in IBM Plex Mono Medium 15, , and centre it on the dimension line. Click Dimensions, marquee a box slightly bigger than the text and press Delete to break the line around it. Press Cmd+D.
    6. Type FIG. 1 — PLAN VIEW · SCALE 1:50 in IBM Plex Mono Medium 11, , letter spacing 2, centred under the line.
    Dotted cyan centrelines through the aircraft and a 15.00 m span dimension under it
  15. Tip the drawing into a turn

    1. Press Cmd+D to make sure nothing is selected, and click the Sailplane group's row.
    2. Pick the Move tool. Its handles frame everything in the group. Drag the round rotation handle off the top-right corner about 7° anticlockwise, so the right wingtip ends up roughly 90 px higher than the left.
    3. Press Cmd+D to apply it. Try Cmd+Z: the drawing snaps back upright. Cmd+Shift+Z puts the turn back.
    4. With the group still selected, press Shift+↑ three times to lift the whole drawing 30 px. Collapse the group.
    The whole sailplane group being rotated a few degrees anticlockwise with the Move tool's handles
  16. Draw the ridge

    1. Click Grid Major and add a group called Ground. Inside it, add a layer called Hatch Tile.
    2. Zoom into the top-left corner. With a Size 1 Pencil in , click at 0, 11 and Shift-click at 11, 0. With the Rectangular Marquee, select 0, 0 to 12, 12, choose Define Pattern and deselect. Delete the Hatch Tile layer.
    3. Add a layer called Hatch and fit the page to the window (Cmd+0). With the Pen, drag smooth points along a long, low ridge:
    • Just off the left edge at -2, 852, then 420, 842, dragging right each time.
    • 880, 824, dragging right and slightly up.
    • 1100, 788, dragging up and right.
    • The crest at 1215, 760, dragging flat.
    • 1330, 784 down the far side, then 1442, 798 past the edge.
    • Click 1442, 882 and -2, 882 to close it along the bottom, then click the first point.
    1. Click Path to Selection, choose Edit → Fill with Pattern… with the diagonal tile, and deselect. Set the layer to 45%.
    2. Add a layer called Ridge Line. Deselect the path in the Paths panel and draw the same ridge again with the Pen, but this time stop at the right edge without closing it. Set Stroke to 2, colour , and press Enter.
    A smooth white ridge line across the bottom of the hero, hatched faintly underneath
  17. Show the lift

    The wind blows from the east today, so it hits the right-hand slope and is forced upward. That's ridge lift.

    1. Add a layer called Lift Arrows, colour . In the Paths panel, click the ridge path to deselect it. With the Pen at Stroke 2, drag three smooth points: from 1416, 786, through 1320, 768, to 1236, 742, curving up the slope. Press Enter. Deselect that path in the Paths panel too, then draw a second arrow about 36 px higher.
    2. Fill a small Lasso triangle at the top-left end of each line for the arrowheads.
    3. For the thermal, set the colour to and pick the Brush with Hard Round at Size 4, Spacing 260. Over the field at x 780, drag three flat rings, wider as they rise: about 48 px wide at y 818, 76 px at y 784 and 108 px at y 748.
    4. Draw a dotted line straight up the middle from y 826 to y 728 with a click and a Shift-click. Finish it with a small filled triangle.
    White wind arrows climbing the right-hand slope and dotted rings of a thermal rising from the field
  18. Write the pencil notes

    Handwritten notes make the drawing feel like a working sheet rather than clip art.

    1. Click Lift Arrows. With the Text tool, set Reenie Beanie, size 36, colour , and type thermal, +3 m/s. Put it to the right of the rings at about x 850, y 744.
    2. Type ridge lift and tuck it under the ridge, near the right edge at x 1268, y 818.
    3. Type your seat and place it to the left of the nose, ending around x 905, y 224.
    4. Click Lift Arrows and deselect the last arrow path in the Paths panel. With the Pen at Stroke 2 in , drag two points from the end of the note curving down to the canopy, and press Enter. Add a tiny triangle at the tip.
    5. Add FIG. 2 — LIFT, IN SECTION in IBM Plex Mono Medium 11, , letter spacing 2, at x 600, y 860. Collapse Ground.
    Handwritten notes reading thermal, +3 m/s, ridge lift and your seat with a curved arrow to the canopy
  19. Add the stats band

    1. Click Grid Major and add a group called Stats, with a layer called Stats Band.
    2. Marquee from the left edge at y 882 to the right edge at y 1006, fill it with and deselect. Set the layer to 80%, so the grid shows through faintly.
    3. Add a layer called Stats Rules. With a Size 1 Pencil in , draw a hairline across at y 1005, plus short dividers at x 408, 720 and 1032 from y 914 to y 976. That gives four equal 312 px columns.
    4. Click Stats Rules before each piece of text in this section. Type the four values in Space Grotesk Bold 40, , tops at y 914: 1:38 at x 96, 2,400 at x 440, 62 yrs at x 752 and 4,200 ft at x 1064. Each starts 32 px after its divider.
    5. Under each value, at y 966, type its label in IBM Plex Mono Medium 12, , letter spacing 2: BEST GLIDE RATIO, LAUNCHES A YEAR, OF SOARING and AVERAGE CLOUDBASE. Collapse the group.
    A dark band below the hero with 1:38, 2,400, 62 yrs and 4,200 ft and small labels
  20. Draw the first course card

    1. Click Grid Major and add a group called Courses, with a layer called Cards.
    2. With the Shape tool on Rectangle, Corner Radius 14, fill , and a stroke at Width 2, click at 297, 1329 and make it 400 × 264.
    One dark rounded card with a thin blue border below the stats band
  21. Copy the card with grid snapping

    Snapping guarantees the copies land exactly in line with the first card.

    1. Choose View → Show Grid. In the options bar, set the grid slider to 8px and leave Snap ticked. The card's edges already sit on grid lines.
    2. Cmd-click the Cards thumbnail to select the card, then press Cmd+C and Cmd+V. The copy pastes in place on a new layer. Press Cmd+D.
    3. With the Move tool, drag the copy to the right until its left edge snaps to x 520. Keep the drag level; the snap holds it on the same row.
    4. Click Cards again and repeat, dragging the second copy to x 944.
    5. Turn Show Grid off. Click the top copy and choose Layer → Merge Down twice, so all three cards are back on Cards.
    View Show Grid on, with a pasted copy of the card being dragged into the third column
  22. Draw the card icons

    Keep all three icons inside the same 40 px box, in the same 2 px white line, and they'll read as a set.

    1. Add a layer called Icons and zoom to 100% over the cards.
    2. Stopwatch (Trial Lesson): an unfilled Ellipse with stroke Width 2, 34 × 34, at 449, 1248. With a Size 2 Pencil, add a hand from the centre up and to the right, and a short crown on top.
    3. Pilot's wings (Learn to Solo): a 14 × 14 ring at 873, 1245. On each side, draw four short feather strokes angled slightly upward and getting shorter towards the bottom.
    4. Triangle task (Cross-Country): with the same Size 2 Pencil, click and Shift-click a triangle about 38 px wide around 1297, 1245. Then put a small 9 × 9 ring with a dark fill and white Width 2 stroke on each corner. Cross-country pilots fly triangles between turnpoints.
    Three line icons in the card corners: a stopwatch, a pair of pilot's wings and a triangle route
  23. Write the card copy

    1. Add a layer called Card Rules. Pick the Brush with Hard Round, Size 2, Spacing 300 in , draw a line across each card 196 px below its top, 28 px in from each side.
    2. Type the section label 02 — COURSES in IBM Plex Mono Medium 15, , at x 98, y 1058. Click Card Rules again and, under the label, type Three ways into the sky. in Space Grotesk Bold 52, , letter spacing -1.
    3. Type ALL PRICES INCLUDE LAUNCH FEES in IBM Plex Mono Medium 13, , and line its right edge up with the x 1344 guide, sitting on the heading's baseline.
    4. In each card, 28 px in from the left (click Card Rules before each one):
    • The number (01, 02, 03) in IBM Plex Mono SemiBold 14, , near the top.
    • The title in Space Grotesk Bold 30, : Trial Lesson, Learn to Solo, Cross-Country.
    • Three lines of description in IBM Plex Mono Regular 14, , Line height 1.55:
    • One winch launch and / twenty minutes on the / controls with an instructor.
    • Around forty launches to / your first solo, flown / most weekends all year.
    • Map work, field landings / and your first 50 km / triangle in a club glider.
    • The price below the dotted rule in Space Grotesk Bold 32, : £95, £1,450, £680.
    • BOOK → in IBM Plex Mono SemiBold 13, , letter spacing 2, right-aligned to the card's inner edge and centred on the price's capitals.
    1. Collapse the group.
    The three cards filled with numbers, titles, descriptions, dotted rules, prices and Book links
  24. Bring in the photo

    The photo is NASA's public-domain shot of a PIK-20E sailplane over Edwards, California, Pik20E NASA.jpg on Wikimedia Commons. I used a 1200 px wide copy.

    1. Click Grid Major and add a group called Fleet Photo.
    2. Drag the photo file onto the canvas. It lands as a new layer in the top-left corner, already selected, with the Move tool active. Rename it Photo.
    3. Hold Cmd and drag the bottom-right handle up and left until the photo is half its size, 600 px wide.
    4. Drag the photo down into the empty area at the bottom left, so its top-left corner is at about 73, 1494. Press Cmd+D.
    A photo of a white glider against a grey sky, scaled down and moved into the lower left of the page
  25. Retouch the motor-glider into a glider

    This particular glider has a small engine on a mast behind the cockpit, and NASA lettering on the tail. A gliding school's own glider would have neither.

    1. Zoom to 300% over the cockpit and tail.
    2. Pick the Clone Stamp at Size 12. Alt-click in clear sky up and to the left of the engine to set the source. Then paint over the propeller and mast. The source follows your brush at a fixed offset, so start on the mast and keep the source in clear sky. The sky is even, so it blends straight in.
    3. Drop to Size 6. Alt-click on the fuselage just behind the mast, and paint over the dark stub where the mast meets the fuselage.
    4. Pick the Healing Brush at Size 6. Alt-click on clean white fin just below the lettering, then paint across the NASA logo. Do two passes, top half then bottom half, re-sampling just below each time. Heal the small registration number further down the same way. The Healing Brush matches the fin's tone, so you don't get a flat patch.
    Zoomed to 300 percent: the engine mast is gone and the NASA lettering is healed out of the tail fin
  26. Crop the photo to its frame

    1. With the Rectangular Marquee, select from 104, 1544 to 664, 1804, a 560 × 260 window.
    2. Choose Select → Inverse and press Delete. Press Cmd+D.
    A marquee inside the photo, inverted, ready to delete everything outside it
  27. Turn it into a cyanotype

    Real cyanotype prints are deep Prussian blue where light hit the paper, and paper white where it didn't. A Gradient Map on the group recreates that.

    1. With Photo selected, choose Filter → Desaturate.
    2. Click the Fleet Photo group's row and open its drawer with the ✦ button. Click Add Adjustment and choose Gradient Map.
    3. Click the left stop and set it to , and the right stop to .
    4. Click the bar to add three more stops, and set each one's colour: at about 55%, at about 64%, and at about 82%. The drawer is short, so scroll it up to see the bar after you pick a colour. The sky falls in the 55–64% band, so it goes deep blue, while the glider stays near white.
    5. Close the drawer.
    Setting a Gradient Map stop to #8DB5D8 in the drawer, with the photo already turned deep Prussian blue
  28. Frame the print

    1. Add a layer called Photo Frame inside the group. With the Shape tool on Rectangle, no fill, a stroke at Width 2 and Corner Radius 0, click at 384, 1674 and make it 576 × 276. That leaves 8 px of air around the print.
    2. With a Size 2 Pencil, draw a small triangle in each corner of the photo, 22 px along each edge, like album photo corners.
    3. Collapse the group and click Grid Major, so the caption sits outside the group and the Gradient Map doesn't dim it. Type FIG. 3 — OUR SINGLE-SEATER OVER THE DOWNS in IBM Plex Mono Medium 13, , letter spacing 2, at x 96, y 1828.
    The cyanotype photo in a thin white frame with line-drawn corner mounts and a caption below
  29. Draw the wind rose

    1. Click Grid Major and add a group called Conditions with a layer called Rose, and zoom to 100% over the space right of the photo.
    2. With the Shape tool on Ellipse, fill and a stroke at Width 2, click at 812, 1736 and make it 124 × 124.
    3. With the Lasso, click out an eight-point star centred on the circle and fill it with . Make the four main points about 46 px long and the four diagonal ones about 26 px. If your lasso drags freehand, drag from point to point in straight lines.
    4. With a Size 1 Pencil in , draw a short tick on the rim every 30°, longer at north, east, south and west.
    5. Set the colour to and the Pencil to Size 3. Draw the wind arrow from the east side of the circle straight across towards the west. Lasso-fill an arrowhead on the west end. Then switch to the Shape tool (Ellipse, fill , no stroke) and click an 8 × 8 dot on the east end. Wind is named for where it comes from, so this arrow reads "from the east".
    Zoomed in on a dark circle with a pale eight-point star, tick marks and an orange arrow pointing west
  30. Fill in today's conditions

    1. Click Rose before each piece of text in this section. Type N, E, S and W in IBM Plex Mono SemiBold 12 just outside the rose: N in white and the rest in . Under the rose, at y 1828, type FROM E · 14 KT in IBM Plex Mono SemiBold 11, , letter spacing 2. It lines up with the photo caption.
    2. Add a layer called Readout Rules. Pick the Brush with Hard Round, Size 2, Spacing 300 in , draw three lines from x 932 to x 1344 at y 1704, 1746 and 1788.
    3. Type 03 — FLEET & CONDITIONS in IBM Plex Mono Medium 15, , at x 720, y 1536. Its top lines up with the top of the photo frame. From here on, click Readout Rules before each new text. Below the label, type Good soaring today. in Space Grotesk Bold 44, , letter spacing -1, at y 1572, and FROM THE CLUBHOUSE MAST AT 09:40 in IBM Plex Mono Medium 12, , at y 1632.
    4. For the labels, type WIND, CLOUDBASE, THERMALS, LAUNCHING on four lines, pressing Enter between them. Use IBM Plex Mono Medium 12, , letter spacing 2, with Line height 3.5. Place it at x 933, y 1678.
    5. For the values, set Align to Right in the Text options before you click, then type E 14 kt, 4,600 ft, +3 m/s, 10:00 – 18:00 on four lines. Use Space Grotesk Bold 20, , with Line height 2.1. Both line heights work out to 42 px, so labels and values share baselines. Move it so its right edge sits on the x 1344 guide and the last line lines up with LAUNCHING. Set Align back to Left, then collapse the group.
    The heading Good soaring today. with a wind rose and four rows of readouts: wind, cloudbase, thermals and launching hours
  31. Build the title-block footer

    Every engineering drawing ends with a title block, so this page does too.

    1. Click Grid Major and add a group called Footer, with a layer called Footer Band. Marquee from y 1920 to the bottom of the page across its full width, fill it with , and deselect.
    2. Add a layer called Title Block. With the Shape tool on Rectangle, no fill, a stroke at Width 1 and no corner radius, click at 720, 1960 and make it 1248 × 64.
    3. With a Size 1 Pencil in the same colour, draw cell dividers from y 1929 to y 1991 at x 416, 716, 916, 1056 and 1216.
    4. Click Title Block before each piece of text. In each cell, 20 px in from its left line, type a label at y 1941 in IBM Plex Mono Medium 10, , letter spacing 2. Then type the value under it at y 1962 in IBM Plex Mono Medium 13, . The project name is in Space Grotesk Bold 15.
    • PROJECT: GREYFIELD SOARING SCHOOL
    • LOCATION: GREYFIELD DOWNS, SUSSEX
    • DRAWN: J. MARSH, CFI
    • SCALE: 1:50
    • DATE: 18.10.2026
    • SHEET: 1 OF 1
    1. Under the block, at x 96, y 2008, add a small site footer in IBM Plex Mono 11, : © 2026 GREYFIELD SOARING SCHOOL · DITCHLING ROAD, SUSSEX · 01273 555 014 · [email protected].
    2. Collapse the group.
    A dark footer band with a boxed title block: project, location, drawn, scale, date and sheet
  32. Shrink the drawing into a logo

    The logo is the hero drawing's own silhouette, so the brand and the page match.

    1. Expand the Nav and Sailplane groups. Click Logo Ring and add a layer called Logo Glider.
    2. Cmd-click the Tint thumbnail to select the airframe. Then Cmd+Shift-click the Outline thumbnail to add the outline to the selection. Choose Select → Grow… with 2 and fill with . Press Cmd+D.
    3. Cmd-click the Logo Glider thumbnail. With the Move tool, hold Cmd and drag the bottom-right handle up and left until the silhouette is about 38 px wide.
    4. Press Cmd+D. With the Move tool, drag the silhouette up into the ring, then nudge it with the arrow keys until it's centred. Collapse the groups.
    The nav ring now holds a tiny white silhouette of the same sailplane
  33. Add shadows and brushed print edges

    Cyanotypes are hand-coated, so their edges are ragged brush marks, not clean cuts. A layer mask does that without touching the photo.

    1. Click Cards and open its drawer. Tick Drop Shadow and set Offset X 0, Offset Y 14, Blur 26, Opacity 55 and colour . Close the drawer.
    2. Click Photo and give it a Drop Shadow of 0, 12, blur 22, 50% in the same colour. Run Filter → Add Noise… at 10, Mono, Gaussian for a little print grain.
    3. Click Add Mask, then click the mask thumbnail (Edit mask for Photo) so you paint on the mask.
    4. Set the colour to black. Pick the Brush, open the Brushes panel from the brush tip and pick Chalk on its Presets tab. Set Size to 26 and keep its other settings. Drag along each edge of the photo with a slightly wobbly hand, half on and half off the print.
    5. Click the mask thumbnail again to go back to the photo.
    The photo layer's mask being painted with a rough Chalk brush, the blue overlay showing ragged edges
  34. Fade the hatching in

    1. Expand Ground and click Hatch. Click Add Mask, then click the mask thumbnail to edit it.
    2. Pick the Gradient tool and set it to black → white in the Gradient Editor. Drag from x 40 to x 560 along the hatching. The hatch now fades in from the left, so it doesn't fight the hero copy.
    3. Click the mask thumbnail to leave mask editing.
    4. Choose File → Save Project to keep the layered file, and File → Quick Export PNG for the finished mockup.
    The ground hatching fading in from the left, with a gradient drawn on its layer mask