Design a Vernacular Small-Business Website Mockup

Build a homemade-style homepage for a desert landscaping crew in Lopsy, with tiled gravel, a sign-painted header, a starburst, photo prints and a hit counter.

  • Intermediate
  • 120 min
  • 34 steps

Published

The finished Xeriscape Experts homepage mockup. A grey browser bar with the address www.xeriscape-experts.biz sits over a black ticker of yellow capitals. Below it is a safety-yellow header with a red disc holding a black saguaro under a yellow sun, the name XERISCAPE in heavy black letters with a red shadow, EXPERTS in red, the line Rock, Gravel, Cactus, Drip, Tucson AZ in marker lettering, and a red rounded box reading CALL TODAY! (520) 555-0187. A cream strip holds blue underlined links, with a purple Coupons! link and a tiny red NEW! burst. On a tiled tan gravel background the hero reads NO MOW. NO WATER. NO WORRIES. in tall condensed type, the middle line in red, over a short paragraph and a red GET A FREE QUOTE button. To the right is a white-framed photo print of orange aloe flowers on gravel, tilted and taped at two corners, captioned The Ortiz yard, after!, with a yellow FREE ESTIMATES! starburst over its corner. A rust band holds the heading OUR SERVICES between yellow stars and three white cards with black outlines and hard shadows: a pile of rocks, a cartoon saguaro and barrel cactus, and two blue water drops, each with a title, three centred lines and a tilted yellow price tag. Below, RECENT JOBS shows two tilted photo prints of succulent gardens beside a white speech bubble with five yellow stars and a customer quote, signed Gloria R., Oro Valley, and a black hit counter with green digits 0041273. A yellow and black hazard stripe tops a black footer with the company name, address, opening hours and small grey print.

Vernacular design is the design ordinary people make without any training: hand-painted shop signs, hardware-store price tags, menus taped in a window, and the websites small businesses built for themselves around the year 2000. It follows a few loose rules. Everything is loud. Nothing is subtle. The phone number is huge. A starburst shouts the best offer. The links are blue and underlined because that's what links look like. Done with care, it feels warm and trustworthy in a way a polished corporate site doesn't.

In this tutorial you'll make the homepage of Xeriscape Experts, a made-up family landscaping crew in Tucson that swaps thirsty lawns for gravel and cactus. The page is a 1280 × 1950 px mockup, the size of a desktop browser window scrolled all the way down. You'll build it section by section, each in its own layer group:

  • a browser bar and a black ticker
  • a safety-yellow header with a hand-drawn cactus badge and a big phone box
  • a row of blue underlined links
  • a hero with a tilted, taped photo print, a starburst sticker and a red button
  • three service cards with icons and price tags
  • recent jobs prints, a testimonial bubble and a hit counter
  • a hazard-striped footer

You'll use:

  • guides, Show Grid with its snapping, and Snap to Guides switched off for small work
  • the Rectangular and Elliptical Marquee, the Lasso, Select → Inverse, and Shift and Shift+Option to add and intersect selections
  • Add Noise, Voronoi, Hue/Saturation and Unsharp Mask
  • Define Pattern and Fill with Pattern, twice
  • the Shape tool (rectangles with rounded corners, and ellipses), the Brush, the Pencil and the Gradient tool
  • dropped photos, scaled and rotated with the Move tool's handles, then cropped
  • Copy, Paste, Duplicate Layer, Merge Down, New Group and a Soft Light and a Multiply layer
  • the layer effects Drop Shadow, Stroke and Inner Glow
  • live text in Anton, Bungee, Permanent Marker, Bowlby One SC, Archivo Black, Arimo and VT323

The three photos are public-domain or CC0 images from Wikimedia Commons: two shots of drought-tolerant gardens at Los Angeles Air Force Base by the U.S. Air Force, and Drought-tolerant CV1 by Lights and freedom. Any garden photos will do.

The palette:

  • Safety yellow
  • sign red
  • ink
  • Sand
  • pebble
  • cream paper
  • Rust band
  • tape
  • Link blue
  • visited purple
  • Browser grey
  • Cactus green
  • rock
  • water
  • LCD green
  1. Set up the page and guides

    Choose File → New, keep the units on Pixels, and make the document 1280 wide and 1950 high.

    Click the top ruler to drop vertical guides at 70, 640 and 1210. The outer two are the page margins and the middle one is the centre line. Then click the left ruler to drop horizontal guides where each section starts: 56 (under the browser bar), 100, 300, 352, 930, 1420 and 1770.

    Zoom in while you click if you want a guide on an exact number. The ruler shows where the pointer is.

    Delete the empty Layer 1. Select the Background layer, set the foreground colour to sand , press Cmd+A, choose Edit → Fill, and press Cmd+D.

    A tall blank document filled with sand colour, with blue guides near both side edges, down the middle, and across the page where each section will start
  2. Make one gravel tile

    Homemade websites loved a tiled background picture, and a gravel company would obviously use gravel. You'll make one square tile, then repeat it.

    Click Add Layer and name the layer Gravel. With the Rectangular Marquee, select a 200 × 200 px square in the top-left corner (click once and type the corners 0, 0 and 200, 200) and fill it with pebble . Then, keeping the selection:

    1. Filter → Add Noise, Amount 100, Color. The square turns to confetti.
    2. Filter → Voronoi, Cells 190, Edge width 1. Each cell takes the colour at its centre, so you get a mosaic of stones in different tones, each with a thin dark joint.
    3. Filter → Hue/Saturation, Saturation −80. That drains the confetti colours back to warm greys and tans.
    4. Filter → Add Noise again, Amount 12, Mono, for a little grit on each stone.
    A small square of tan pebbles in the top-left corner of the sand page, with marching ants around it
  3. Repeat the tile across the page

    Voronoi keeps the layer's transparency, and the stones along the very edge of your square take their colour from outside it, so the outermost ring of stones comes out transparent. Select a slightly smaller square inside the tile, about 20 px in from each edge, and choose Edit → Define Pattern.

    Press Cmd+D to deselect, then choose Edit → Fill with Pattern. Click your new pattern and press Apply. With no selection it fills the whole Gravel layer.

    The Pattern Fill dialog open over the page, showing the gravel tile as the only pattern, with the Scale and Offset sliders at their defaults
  4. Knock the gravel back

    Full-strength gravel would fight every word on the page. Open the Gravel layer's effects drawer with the ✦ button on its row, set the blend mode to Multiply, then set the layer's opacity to 45%. The stones now darken the sand only slightly, so text stays readable.

    The whole page covered in a soft tan stone pattern, with the Gravel layer set to Multiply at 45 percent in the Layers panel
  5. Draw the browser bar

    The rest of the work is small shapes near guides, and guides pull shapes towards them. Turn View → Snap to Guides off and leave it off.

    Select Gravel, click New Group and name the group Browser. Inside it, add a layer called Title Bar, select the strip above the first guide and fill it with . With the Pencil at size 2 in , click at the left end of the bar's bottom edge and Shift-click at the right end to draw a hairline.

    Add a layer called Traffic Lights. Pick the Shape tool, set Shape to Ellipse and Output to Pixels, and click the Fill swatch to set red . Shapes grow from where you press, so press in the centre of each dot and drag out about 8 px for a 16 px circle. Make a yellow dot and a green dot beside it.

    Add a layer called Address Bar. Switch the Shape to Rectangle, set the fill to white, add a stroke in at Width 2, and set Corner Radius to 15. The field runs from about 180 px to 940 px across and is 32 px tall, so press at its centre (about 560 px across, halfway down the bar) and drag out to its lower-right corner.

    A light grey bar across the top of the page with red, yellow and green dots on the left and a long white rounded address field
  6. Add the address and the ticker

    Add a layer called Ticker Band, select the strip between the first two guides and fill it with ink .

    Pick the Text tool. Set the font to Anton, size 24, colour safety yellow , and Letter spacing 1 in the Text panel, then click on the black band. Type:

    ★ LICENSED · BONDED · INSURED ★ FAMILY OWNED SINCE 1987 ★ SENIOR DISCOUNTS ★ WE TAKE CHECKS ★

    Press Tab to commit, then switch to the Move tool and nudge it with the arrow keys until it's centred on the band.

    Select Address Bar and add two more text layers in Arimo: the address http://www.xeriscape-experts.biz/index.html at size 17 in , inside the white field, and the arrows ◄ ► ↻ at size 18 in , between the dots and the field.

    The address field reading http://www.xeriscape-experts.biz/index.html with back, forward and reload arrows beside it, over a black strip of yellow capitals
  7. Paint the header and draw the badge

    Collapse the Browser group, click its row and click Add Layer. Because the group is collapsed, the new layer lands beside it rather than inside it. Name it Header Band. Fill the space between the 100 and 300 guides with safety yellow, then select a 4 px strip along its bottom edge and fill it with ink.

    Click New Group and name it Header. Inside it, add a layer called Badge. With the Shape tool on Ellipse, set the fill to sign red and add an ink stroke at Width 6. Press at about 152 px across, halfway down the header, and drag out 82 px diagonally. You get a circle about 164 px across whose left edge sits on the 70 px guide.

    Add a layer called Badge Sun. Click the Stroke swatch and choose Remove stroke, set the fill to yellow, and draw a 48 px circle in the upper right of the badge.

    A safety-yellow header band under the ticker with a red disc ringed in black on the left, the Shape tool active
  8. Give the badge a horizon

    Add a layer called Badge Ground. With the Elliptical Marquee, select a circle just inside the badge's black rim. Clicking once without dragging opens the exact-corners dialog: use the badge's box pulled in by 5 px on every side.

    Now hold Shift+Option and drag a rectangle across the lower quarter of the badge. Holding both keys intersects the two selections, so only the bottom slice of the circle stays selected. Fill it with ink and deselect.

    The elliptical marquee around the inside of the badge intersected with a rectangle across its lower part, leaving a selection shaped like the bottom slice of the disc
  9. Brush a saguaro

    Add a layer called Badge Saguaro. Pick the Brush, click the brush preview in the options bar to open the Brushes panel, and set Size 17, Hardness 100 and Taper 0. Set the colour to ink.

    Draw from the ground up, the way the cactus grows:

    1. One stroke straight up from the ground for the trunk, stopping well below the rim.
    2. The left arm: start partway up the trunk, go left, then curve up.
    3. The right arm: start a little higher, go right, then curve up and a bit taller than the left.

    The round brush gives every end a soft, rounded tip, just like a real saguaro.

    The finished badge, a black saguaro cactus with two raised arms standing on the black ground in front of the yellow sun, inside the red disc
  10. Add the phone box and the wordmark

    Add a layer called Phone Box. With the Shape tool on Rectangle, set fill red, stroke ink at Width 4, and Corner Radius 14. The box runs from about 900 px across to the right margin and from 126 to 274 px down. Press at its centre (about 1055, 200) and drag out to the lower-right corner. Open its effects and turn on Drop Shadow: Offset X 7, Offset Y 7, Blur 0, Spread 0, Opacity 100, colour ink. A hard shadow with no blur is the sign-painter's version of depth.

    Inside the box, add three centred lines, bottom first so no click lands in a line you've already made:

    • Open 7 days a week · Ask for Ray in Arimo 17, white
    • (520) 555-0187 in Anton 43, white, letter spacing 1
    • CALL TODAY! in Anton 30, yellow, letter spacing 2

    Then build the name to the right of the badge, again bottom first, with the Badge Saguaro layer selected before each one:

    • the tagline Rock · Gravel · Cactus · Drip — Tucson, AZ in Permanent Marker 25, ink
    • EXPERTS in Bungee 50, red, letter spacing 3
    • XERISCAPE in Bungee 88, ink

    Give XERISCAPE a Drop Shadow of 5 / 5 with Blur 0 in red, and EXPERTS one of 3 / 3 in ink. Nudge the three lines so they share a left edge about 30 px right of the badge.

    The completed header: XERISCAPE in heavy black capitals with a red drop shadow, EXPERTS in red with a black shadow, the marker tagline under them, and a red rounded box on the right reading CALL TODAY! (520) 555-0187
  11. Set the links and stick on a NEW! burst

    Collapse Header, click its row and add a layer called Nav Band. Fill the strip between the 300 and 352 guides with cream , and add a 3 px rule along its bottom. Click New Group, name it Nav, and add a layer called Nav Rules for the underlines.

    Make six text layers in Arimo 21: Home, Services, Our Work, Prices, Coupons! and Contact Us, all in link blue except Coupons!, which gets visited purple . That's a little old-web joke. Work right to left, and nudge them so they're evenly spaced about 80 px apart and centred on the page.

    On Nav Rules, use the Pencil at size 2: under each word, click at its left end and Shift-click at its right end, a few pixels below the baseline and in the word's colour. Then draw short vertical bars in halfway between the words.

    For the sticker, add a layer called New Sticker. With the Lasso, drag a small 12-point star about 34 px across just right of Coupons!, zigzagging out to a point and back in. Fill it red and add NEW! in Anton 11, white, on top. Choose Layer → Merge Down and draw a marquee round the sticker. Switch to the Move tool and drag the round rotation handle outside the marquee's corner to tip it about 14°. Press Enter to apply.

    A cream strip under the header holding blue underlined links Home, Services, Our Work, Prices, a purple Coupons! and Contact Us, separated by grey bars, with a tiny red NEW! burst being rotated on the Coupons link
  12. Warm up the hero

    Collapse Nav, click its row and add a layer called Hero Glow. Select the hero band, from the 352 px guide down to the 930 px guide.

    Pick the Gradient tool, set it to Radial, and use Advanced… to make the stops pale cream and sand . Drag from the left third of the hero towards its lower right corner. Deselect, and set the layer's blend mode to Soft Light. The gravel behind the headline gets a gentle patch of sunlight.

    The hero area between the nav and the 930 px guide now slightly paler and warmer at the upper left, with a Hero Glow layer on Soft Light
  13. Drop in the hero photo

    Click New Group, name it Hero, and add a layer called Snapshot. With the Rectangular Marquee, select a box about 500 × 420 px on the right of the hero, starting a little below the nav, and fill it with cream. This is the photo print's white border.

    Drag your garden photo from your computer onto the canvas. Lopsy drops it on a new layer at the top-left corner, already selected for transforming. Rename the layer Photo.

    A photo of orange aloe flowers on gravel dropped onto the top of the page at full size, covering the header, with its transform box showing
  14. Scale the photo down

    With the Move tool, hold Cmd and drag the bottom-right corner handle up and to the left until the photo is about 70% of its size. Cmd keeps the proportions. Press Enter.

    The aloe photo shrunk to about seventy percent with the bottom-right handle, its corner handles and outline visible
  15. Line the photo up with the print

    With the Move tool, drag the photo over the print. Choose the part you want to show: here the flowers and gravel, with the parked cars and sky in the original pushed up out of the frame.

    The scaled photo moved over the cream print box, with the flowering aloe stems sitting where the print's window will be
  16. Crop it to the print's window

    Select the window with the Rectangular Marquee: about 18 px in from the print's left, right and top edges, and about 68 px up from its bottom, leaving a deeper margin for a caption. Choose Select → Inverse and press Delete. Everything outside the window is gone. Deselect.

    A marquee over the photo window inside the print, inverted so everything outside it is selected, with marching ants round the window and the canvas edge
  17. Give the photo some punch

    Run Filter → Hue/Saturation with Saturation +18, then Filter → Unsharp Mask at its defaults. Snapshots from a phone look flat once they're small, and this brings the oranges back.

    The cropped aloe photo sitting inside its cream border, a little more saturated and crisp than before
  18. Caption the print and tilt it

    Add The Ortiz yard — after! in Permanent Marker 28, ink, centred in the print's bottom margin. Choose Layer → Merge Down twice so the caption and photo join the Snapshot layer.

    Draw a marquee a few pixels bigger than the print, switch to the Move tool, and drag the rotation handle past the top-right corner to turn the print about 3° clockwise. Press Enter and deselect. Add a soft Drop Shadow: Offset X 8, Offset Y 12, Blur 14, Opacity 45, in a dark brown like . It reads as a real photo lying on the gravel.

    The print with the marker caption The Ortiz yard, after! in its bottom margin, being rotated a few degrees clockwise with its rotation handle
  19. Tape it down

    Add a layer called Tape. With the Lasso, draw a strip about 125 × 35 px at a diagonal across the top-right corner, then hold Shift and draw another across the bottom-left corner. Fill with , run Add Noise at 8, Mono, for a papery texture, deselect, and lower the layer to 85% opacity.

    Two strips of translucent yellowish masking tape across the print's top-right and bottom-left corners
  20. Make the starburst sticker

    Add a layer called Starburst. With the Lasso, drag a 22-point star about 200 px across, centred just off the print's top-left corner, and fill it yellow.

    Add ESTIMATES! in Bowlby One SC 23, ink, just below the burst's centre, and choose Merge Down. Then add FREE in Bowlby One SC 56, red, letter spacing 2, just above the centre, and merge that down too. Merging now means the words turn with the burst in the next step.

    Give the layer a Stroke, Width 5 in red, and a Drop Shadow of 5 / 6 with Blur 0 in ink.

    A yellow 22-point starburst over the print's top-left corner reading FREE in red and ESTIMATES! in black, with a red outline and a hard black shadow
  21. Tilt the starburst

    Draw a square marquee round the burst, switch to the Move tool, and drag the rotation handle anticlockwise about 14°. Press Enter. Stickers are never put on straight.

    The starburst being rotated about fourteen degrees anticlockwise, with its marquee and rotation handles showing
  22. Set the headline and the quote button

    Add a layer called Quote Button. With the Shape tool on Rectangle (fill red, ink stroke Width 3, Corner Radius 12), make a button about 375 × 60 px on the left margin, about 50 px above the bottom of the hero. Press at the centre of where it goes and drag out to its lower-right corner. If you'd rather type the size, click once without dragging and the Shape Size dialog opens. Give it a Drop Shadow of 6 / 6 with Blur 0 in ink, and an Inner Glow of Size 10, Opacity 45 in pale pink . The glow gives the button a slightly puffy, clickable edge.

    Now the type, bottom first. Select Quote Button before each one so new text doesn't restyle the last:

    • GET A FREE QUOTE ► in Archivo Black 24, yellow, letter spacing 1, centred on the button
    • three lines of body copy in Arimo 23, ink: We rip out thirsty grass and put in rock, / gravel & desert plants that love the heat. / Lower water bills — guaranteed! Press Enter between lines.
    • the headline in Anton 96 with letter spacing 1, one line per layer on the left margin: NO WORRIES. in ink, NO WATER. in red above it, NO MOW. in ink on top
    • the kicker Tired of mowing in 110°? in Permanent Marker 32, red

    Select the kicker, switch to the Move tool and drag the rotation handle beyond its corner to tip it about 3° anticlockwise. Press Enter.

    The hero with NO MOW. in black, NO WATER. in red and NO WORRIES. in black stacked on the left, a paragraph under them, a red GET A FREE QUOTE button, and a red marker line above the headline being rotated
  23. Lay out three service cards

    Collapse Hero, click its row and add a layer called Services Band. Fill the strip between the 930 and 1420 guides with rust . Then select a 5 px strip along its top, hold Shift and select another along its bottom, and fill both with ink.

    Click New Group, name it Services, and add a layer called Card 1. With the Shape tool on Rectangle (fill cream, ink stroke Width 4, Corner Radius 10), make a card 360 × 334 px with its left edge on the margin, starting 130 px below the band's top edge, which leaves room for a heading. Press at the card's centre (250 px across) and drag out 180 px right and 167 px down. Give it a Drop Shadow of 9 / 9, Blur 0, in ink.

    Click Duplicate Layer twice. Click each copy's row, rename them Card 2 and Card 3, and drag them with the Move tool so the three cards sit 30 px apart, with the middle one on the centre guide. Duplicates keep the effects, so every card gets the same shadow.

    A rust-coloured band across the middle of the page holding three identical cream cards with black outlines, rounded corners and hard black shadows
  24. Draw the rocks, the cactus and a water drop

    New layers go directly above the selected one, so click the top card row in Services first. That's Card 2, because the second duplicate was inserted just above Card 1, under the first one.

    Add a layer called Icon Rocks. With the Shape tool on Ellipse and an ink stroke at Width 3, draw five overlapping stones near the top of the first card: three big ones about 70 × 50 px in and , then two pebbles about 30 × 20 px at the sides.

    Add a layer called Icon Cactus. Brush a saguaro about 100 px tall in cactus green , the same way as the badge but with a chunkier size 22 brush. Beside it, draw a round barrel cactus about 42 × 36 px in the same green with the Shape tool (no stroke), then click three dots of pink on its top with a size 9 brush for flowers. Give the layer a Stroke of Width 3 in ink. One effect outlines every part on the layer, so it matches the rocks.

    Add a layer called Icon Drip. With the Lasso, draw a teardrop near the top of the third card, pointed at the top and round at the bottom, and fill it with water blue . With the Elliptical Marquee, add a small white highlight on its upper left.

    Marquee the whole drop, press Cmd+C and Cmd+V. The paste lands in place on its own layer. Draw the same marquee over it, switch to the Move tool, hold Cmd and drag the bottom-right handle in until the copy is half the size. Press Enter.

    A pile of grey-brown rocks on the first card, a green saguaro and barrel cactus with pink flowers and a black outline on the second, and on the third a blue water drop with a pasted copy being scaled to half size with its corner handle
  25. Finish the drops

    With the Move tool, drag the small drop down to the right of the big one, then choose Layer → Merge Down so both drops are on Icon Drip. Give that layer the same Stroke, Width 3 in ink.

    Three finished icons: the rocks, the outlined cactus, and two blue drops, a big one and a small one to its lower right, both with black outlines
  26. Make one price tag and paste two more

    Add a layer called Tag 1. With the Lasso, draw a tag about 230 × 46 px at the bottom of the first card: a rectangle with a point on its left end. Fill it yellow. With the Elliptical Marquee, select a 12 px circle near the point and press Delete to punch the hole.

    Marquee the tag, Cmd+C, then Cmd+V twice. Rename the pasted layers Tag 2 and Tag 3, and drag each one to the bottom of the second and third card.

    Three blank yellow price tags with pointed left ends and punched holes, one at the bottom of each card
  27. Price the tags and tilt them

    Finish one tag at a time:

    1. Select the tag and add its price in Permanent Marker 20, red: from $1.49 / sq ft, plants from $12 or from $450 / zone. Centre it on the tag's body, to the right of the hole.
    2. Choose Merge Down so the price joins the tag.
    3. Give the tag a thin Stroke, Width 2 in ink.
    4. Marquee it, switch to the Move tool and rotate it slightly with the rotation handle: about −4°, +3° and −2° for the three tags. Press Enter.

    Tags that hang at slightly different angles look stapled on by a person.

    The first tag reading from $1.49 / sq ft in red marker, being rotated a few degrees with its handles while the other two tags are still blank
  28. Title the cards and the section

    Select Tag 3 before each new text layer. For each card, from right to left, add three lines of description in Arimo 18, , with Align set to Center in the Text options, about 50 px below the icon. Press Enter between lines:

    • Decomposed granite, river rock / & boulders — delivered, spread / and raked smooth. 14 colors.
    • Saguaro, agave, ocotillo and / palo verde. Native, tough, and / they bloom like crazy in May.
    • Low-flow drip lines on timers / put water right at the roots. / No more sprinkler puddles!

    Then add the card titles above them in Bungee 30, ink, letter spacing 1: ROCK & GRAVEL, DESERT PLANTS, DRIP SYSTEMS.

    For the section heading, add No job too big, no yard too small! in Permanent Marker 24, white, centred above the cards. Then add ★ OUR SERVICES ★ in Bungee 52, yellow, letter spacing 2, above that, with a Drop Shadow of 4 / 4, Blur 0, in ink.

    The services section with OUR SERVICES in yellow between two stars, the line No job too big, no yard too small! in white, and each card titled ROCK & GRAVEL, DESERT PLANTS and DRIP SYSTEMS over three centred lines
  29. Make two recent-job prints

    Collapse Services, click its row, and add a layer called Jobs Rule. New Group needs a top-level layer selected to make a top-level group, and this one earns its place later by holding a link underline. Click New Group and name it Recent Jobs.

    The prints sit on the left half of the section, starting about 108 px below the 1420 px guide, which leaves room for a heading. The first starts at the left margin and the second about 26 px to its right.

    Make each print the same way as the hero snapshot, only smaller:

    1. Add a layer named Print Agave (then Print Succulent for the second), and fill a 292 × 214 px cream rectangle.
    2. Drop in a garden photo, Cmd-drag its corner handle to shrink it, and move the best part over the print.
    3. Select a window 16 px in from the sides and top and 40 px up from the bottom, then Select → Inverse and Delete.
    4. Add a caption in Permanent Marker 16, ink: Agave & aeonium, Midtown or Succulent terrace, Foothills. Then Merge Down twice.
    5. Marquee the print, switch to the Move tool, rotate it a few degrees with the rotation handle, and press Enter.
    6. Add a Drop Shadow of 6 / 9 with Blur 10 at 45%, in the same dark brown as the hero print.

    Tilt the left print anticlockwise and the right one clockwise.

    Two small photo prints of succulent gardens with white borders and marker captions, tilted in opposite directions on the gravel below the services band
  30. Add a speech bubble and a grid-snapped counter

    Add a layer called Bubble. With the Shape tool on Rectangle, white fill, no stroke and Corner Radius 22, make a bubble about 475 × 155 px whose right edge is on the margin, starting 30 px below the 1420 px guide. Press at its centre and drag out to the lower-right corner. With the Lasso, add a triangle tail pointing down from its lower-left edge and fill it white. Give the layer a Stroke of Width 3 in ink and a Drop Shadow of 6 / 6 with Blur 0.

    For the hit counter, choose View → Show Grid. Showing the grid also turns grid snapping on, so marquees click to the grid lines. Add a layer called Counter, drag a marquee about 240 × 48 px under the bubble, lined up with its right edge, and fill it with ink. Hide the grid again with View → Show Grid.

    With the Pencil at size 2 in dark grey , draw six short vertical lines that split the box into seven digit windows.

    A white rounded speech bubble with a tail at its lower left, and below it a marquee snapped to the visible grid for the hit counter box
  31. Fill in the jobs section text

    Select Counter before each text layer and work bottom-up:

    • 0 0 4 1 2 7 3 in VT323 44, LCD green , one digit per window
    • You are visitor # in Arimo 18, ink, to the left of the counter
    • — Gloria R., Oro Valley in Permanent Marker 22, ink, just right of the bubble's tail
    • the quote in Arimo 19, ink, centred in the bubble over three lines: "Our water bill went from $212 to $64 a month, / and the yard looks better than it ever did. / These guys showed up on time, every day!"
    • ★★★★★ in Arimo 30, yellow, centred at the top of the bubble, with a Stroke of 2 in ink
    • click a photo to enlarge in Arimo 16, link blue, under where the heading will go. Underline it on the Jobs Rule layer with a 2 px Pencil line.
    • RECENT JOBS in Bungee 40, ink, on the left margin
    The speech bubble filled with five yellow stars and a three-line quote, signed Gloria R., Oro Valley in marker under its tail, the green digits 0 0 4 1 2 7 3 in the counter beside You are visitor #, and RECENT JOBS with a blue click a photo to enlarge link at the top left
  32. Make a hazard-stripe tile

    Collapse Recent Jobs, click its row and add a layer called Footer Band. Fill from 28 px below the last guide to the bottom of the page with ink. The gap is where the stripe goes. Then click New Group, name it Footer, and add a layer called Hazard Stripe.

    In an empty corner, select a 48 × 48 px square and fill it yellow. To make a stripe that repeats without a seam, draw two black pieces with the Lasso:

    1. A band from the middle of the top edge to the top-right corner, diagonally down to the bottom-left corner, then up to the middle of the left edge.
    2. With Shift, the small triangle in the bottom-right corner, from the middle of the right edge to the corner to the middle of the bottom edge.

    Fill both with ink. Select the tile square again and choose Edit → Define Pattern, then press Delete to clear the tile.

    A 48 pixel square tile of yellow with a black diagonal band, selected with marching ants at the left edge of the page
  33. Run the stripe across the page

    Select the 28 px gap across the full width of the page, between the gravel and the footer band. Choose Edit → Fill with Pattern, click the stripe tile and press Apply. The fill stays inside the selection, so you get a crisp band of construction-site stripes. Deselect.

    The Pattern Fill dialog with the yellow and black stripe tile chosen, over a thin selection along the top of the footer
  34. Set the footer type

    Select Hazard Stripe before each text layer. On the left margin, bottom-up:

    • Mon–Sat 7am–5pm · Licensed · Bonded · Insured in Arimo 16,
    • 4410 E. Speedway Blvd · Tucson, AZ 85712 · (520) 555-0187 in Arimo 16, white
    • XERISCAPE EXPERTS in Bungee 28, yellow, letter spacing 1

    On the right, add three lines in Arimo 16, , and nudge each until its right end touches the 1210 px guide: © 1999–2026 Xeriscape Experts, LLC, Best viewed in Netscape Navigator at 800 × 600 and Site by our nephew Danny :). Nudge each so it sits on the same baseline as the left-hand line beside it. The two columns then read as one grid instead of two piles of text.

    Save with File → Save Project, and export with File → Quick Export PNG.

    The whole page in the editor with the footer done, a black footer under the hazard stripe with XERISCAPE EXPERTS in yellow, the address and hours on the left, and three lines of small grey print on the right, with the copyright line still selected after its nudge